The middle section of my novel is STILL irritating me. Fortunately, I think I know what the problem is. My main characters are dragging their feet because the characters around them might as well be vapor. This is because I have been focused on cramming the main conflict into the allotted page count to the neglect of all other potential conflicts. Thus between ‘big scenes’ for my main characters there is an annoying lull.
I’ve been mulling over this for a few days. I don’t think I can get to the end of the first book (and have it make sense) without some scenes that develop my secondary characters–you know, those characters that are ‘friends’ of the main characters and help the main character either get into trouble or get out of it. In this case, those characters act as foils as well, so it’s really important that the reader gets to know them. They have depth already–in my mind. The challenge will be finding a place to explore it on paper.
I know I will be glad of the time it takes to develop a well rounded cast when the plot gets more complicated! I know the future (sort of…) and I will eventually NEED these characters. More importantly, I think giving the secondary characters some conflict NOW will the solve the problem I’m having with this section of the book lacking conflict for my main characters. Of course a larger plot is there, but I’m talking about the kind of immediate, gritty conflict that keeps a readers turning pages. More of that please!
So I have devised a clever solution:
I’m going to give my secondary character some background. I am going to write it into the present through an encounter with the past. I will have my secondary characters fight with each other over this event, and use that conflict to propel the rest of the story forward.
Oh. And there’s going to be a play within a play! Er, a play within a novel. How often do you see that?
I can’t help that I love theatre.